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Friday, February 27, 2026

Olivia Wilde questions the authenticity of sexual scenes in contemporary cinema: “We want to see real relationships”

Olivia Wilde stated that modern cinema lacks authenticity in the representation of sexuality, despite the fact that some of her own productions include explicit sexual scenes.

The 41-year-old actress was the director of the film Don’t Worry Darling (2022), which generated debate among viewers due to the participation of the then rookie actor Harry Styles and his intimate scenes with Florence Pugh.

During an interview with Variety, the famous woman commented on a recent survey that indicated that many young people prefer not to see sexual scenes in movies.

Olivia Wilde questions the authenticity of sexual scenes in contemporary cinema: “We want to see real relationships”
Olivia Wilde said that new generations prefer not to see sex scenes in movies.(REUTERS/Mario Anzuoni)

“I think Generation Z is quite intelligent, I wouldn’t dare say they don’t understand anything. I think they understand a lot more than the rest of us, so I don’t know where that perception comes from. I find it interesting. I think the way sex has been portrayed in cinema for a long time has not been particularly realistic,” he said.

He added: “There is a movement now towards authenticity, which is positive, and I choose to interpret that statistic as Generation Z saying they don’t want to see anything that is not authentic. We want to see real relationships and things that feel more authentic.”

Notably, Don’t Worry Darling included several explicit sexual scenes, such as a moment in which Harry Styles performs oral sex on Florence Pugh while she is lying on a kitchen table.

The director also spoke about the challenges of filming the film during the pandemic.

Olivia Wilde questions the authenticity of sexual scenes in contemporary cinema: “We want to see real relationships”
Olivia Wilde acknowledged that she faced several setbacks to record “Don’t Worry Darling.”(Video capture)

“It definitely affects that exact ingredient of the process, camaraderie. It makes everything more difficult. You have to focus a lot on everyone’s eyes. Everyone communicates differently and there are a lot of gestures,” he explained.

The film generated great interest in the film industry and sparked an auction in which 18 studios participated, with New Line Cinema being the company that acquired the rights.

However, Olivia Wilde had to remove some scenes from the film’s first trailer to obtain approval from the Motion Picture Association (MPA).

“There was a lot that had to be cut from the trailer. The MPA pressured me at the last minute and I had to cut some shots. It bothered me because I thought it gave a more intense level to the film,” he told the Associated Press.

Olivia Wilde questions the authenticity of sexual scenes in contemporary cinema: “We want to see real relationships”
Olivia Wilde said she had to remove many scenes from the trailer for “Don’t Worry Darling.”(Video capture)

Regarding sexual content in American cinema, Wilde noted that the lack of eroticism is a relatively recent phenomenon.

“We live in a society that still has certain puritanical codes. I think the absence of eroticism in American cinema is something new. As for female pleasure, it is something that is not seen very often, unless we talk about cinequeer,” he explained.

According to Wilde, queer productions allow female characters more space to explore their pleasure, in contrast to what corporations often assume about the audience.

Olivia Wilde questions the authenticity of sexual scenes in contemporary cinema: “We want to see real relationships”
Olivia Wilde asserted that queer productions allow for greater openness towards female pleasure.(REUTERS/Angelina Katsanis)

“Viewers are not as puritanical as companies think. And yet, people get upset. In fact, they have already gotten upset with me for this. I think that shows the intention of the film: we want to be provocative. The idea is not to make you feel safe,” he said.

Olivia Wilde made her directorial debut in 2019 with the comedy Booksmart, and has since alternated her career between acting and directing.

Aiman Sohail
Aiman Sohail
Dr. Aiman Sohail is a seasoned journalist and geopolitical analyst with over a decade of experience covering global affairs, politics, and current events. She earned her Bachelor’s degree in International Relations from Quaid-i-Azam University, Islamabad, followed by a Master’s in Political Science from Lahore University of Management Sciences (LUMS). Driven by a passion for understanding global dynamics, she completed her PhD in International Security Studies at The University of London, focusing on South Asian geopolitics and conflict resolution. Sara began her career as a correspondent for The Express Tribune, covering domestic politics and economic developments. She later joined Geo News as a senior reporter, specializing in geopolitical affairs, foreign policy, and conflict analysis. Over the years, her articles have been featured in major national and international publications, including Dawn, The Diplomat, and Al Jazeera English, earning her recognition for insightful analysis and in-depth reporting. In addition to journalism, Sara frequently contributes to academic forums, think tanks, and panel discussions on international relations. Her expertise lies in South Asian security, diplomatic policy, and global political trends, making her one of Pakistan’s leading voices in contemporary geopolitics.

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